📜 An ancestral tradition
The Tablas de Sarhua are wooden paintings that constitute the most emblematic artistic expression of the village. The Peruvian government declared them Cultural Heritage of the Nation on October 29, 2018 (RVM No. 197-2018-VMPCIC-MC), recognizing their exceptional value as a "heritage transmitted since pre-Hispanic times" and as a "means of communication and social organization".
The origin of the Tablas de Sarhua remains debated. Some researchers see a colonial influence, linking them to the painted beams of Andean churches from the late viceregal period. Others see a continuation of the Inca "quellcas", those pictorial records mentioned by the chronicler Fernando de Montesinos and preserved in the "pokencancha", a sort of deposit/museum where these paintings were kept. The oldest preserved tablas date from the late 19th century.
🏠 The Tabla Apaykuy ceremony
Traditionally, the Tablas de Sarhua are offered during the construction of a new house or the formation of a new household. The compadre (godfather) of the family offers a painted tabla during the roofing ceremony, which is then placed on the main roof beam as a symbol of protection, prosperity and good vibrations.
The reading of the tabla is done from bottom to top according to a codified structure:
- At the bottom: The dedication and the names of the godparents.
- In the middle: The Virgen de la Asunción (patron saint of Sarhua), then the owners represented in their daily activities.
- At the top: The Sun (Intisol), Andean deity, symbol of life and continuity.
Between each scene, decorative motifs (flowers, animals) adorn the space. Traditional tablas measure between 2 and 4 meters and are made from trunks of molle, willow, eucalyptus or lambras. The pigments used are natural, extracted from the earth and plants of the region.
🎨 Evolution and contemporary themes
Over time, the Tablas de Sarhua have evolved to incorporate new themes. Sarhua artists now depict migration stories, the political violence suffered during the years of armed conflict (1980-2000), the pandemic, the struggle for women's rights and reflections on equality. This evolution testifies to the adaptive capacity of this art and its role as a vector of social memory.
The supports have also diversified: today there are tablas on wood and canvas, in varied formats, as well as utilitarian products. Artists such as Venuca Evanán, daughter of Sarhua residents, perpetuate this tradition by bringing their contemporary voice to it.
Good to know:
Master Primitivo Evanán Poma (born 1944) is considered the greatest exponent of the Tablas de Sarhua. He was distinguished by the Ministry of Culture as "Meritorious Personality of Culture" and by the Ministry of Education with the Artistic Palms at the rank of Grand Master. The Asociación de Artistas Populares de Sarhua (ADAPS), founded in 1982, continues to disseminate this art worldwide.
Practical tip:
The Tablas de Sarhua can be purchased directly from the artists in their workshops in Sarhua or Lima. Prices range from S/ 45 for a small frame to over S/ 2,500 for a large work by a master artisan. This is an authentic and unique souvenir that directly supports the Sarhua community.